Resident Advisor, September 19th 2002
Future
Sound Of London - Interview
Back in 1985 Gary Cobain and Brian Dougans met in Manchester as
students of electronics and sound engineering and explored unique
sounds of ambient / techno /electronic/ industrial/ rock. This
long-standing relationship took a journey through the past ten
years and exemplifies today, a rare breed of musical
consciousness.
After a multiplicity of musical tendencies and band names, The
Future Sound of London returns with an album titled The Isness
bringing back a recreation of their constant search for
meaningful sounds and magic in making music.
Cobain and Dougans careers as well as their sounds
progressed from a series of band names such as Art Science
Technology, Intelligent Communications, Mental Cube, Yage. After
several names and successful tracks such as Papua New Guinea,
this duo took on a name for their music, what is known today as
The Future Sound of London.
On FSOL Current Musical Influences/ Tendencies
At the moment, Brian and I have gone full circle musically
speaking, after 10 years of doing this. We are not listening to
pure electronic music anymore; we got bored with it. We feel that
there is a new consciousness, a new tide [in terms of music]. As
an artist before you make a new record, you try to find what you
are missing personally in the history of recorded music,
basically buying records.
After Dead Cities, we began to look for spirituality,
femininity, joy and positivism, all special elements found in
other types of music we were not doing. I began to get turned off
by sanitized electronic music that did not convey anything at
all; [music] with no spiritual feeling to it.
We went back to 1967s psychedelia, where musicians
were playfully using lyrics over sounds. I am talking about bands
like The Beatles and The Rolling Stones and from traveling to
India for many years and getting into Indian classical music.
There is a spiritual depth and joy that celebrates possibility
and this precisely is what I found most fascinating about Indian
music.
On Electronic Music
Electronic music just like life; [it] became too
intellectual and began to hide behind computer sophistication
using double concepts, beautiful production, different sounds,
all well programmed but meaning nothing or lacking a deeper
spiritual feeling. There was a point where we felt imprisoned by
a specific type of scene and quite frankly, I have never been
into a scene but rather into making great music that inspires
personal revolution. There is so much possibility into music.
Basically, I am into music that makes your heart burn and does
not limit personal expression!
I do not feel that innovation is necessarily about
technology, how about soul innovation? Sometimes in order to
innovate you have to be able to express your soul. We need to get
the soul back into some of our music.
On Internet and the Use of Radio Broadcast
We did not choose the Internet, really. The whole
idea was to offer more than a band scenario. Our intent was to
incorporate images, sounds, television, radio broadcast; be a
broadcast system and have music be a part of that. And not limit
our performance to just our faces. As kids and adolescents, we
grew up going to great rock and roll gigs and we were bored with
the concept of doing gigs ourselves.
I think the industry encourages people to be in front of an
audience, stand behind a keyboard and do nothing. I did not find
this to be particularly entertaining and tried to find a
different way of doing gigs. We tried to broadcast images, movies
and sounds around the world perhaps, we were ahead of our time
and it was great experiment. Back then, our dream was grandiose
and needed so much money that I got frustrated with that. I felt
we were selling our dream short. This was the past. I am not sure
we are using that now although at that point in our careers using
the Internet was a great experiment.
On FSOL New Sounds and The Isness
Our new sound is more organic. Once this album becomes
rooted into peoples subconscious I will consider possibly
doing a live performance. We are feeling out this idea. Ideally,
we would wish for people to like the album and understand it
first.
FSOL is an amorphous band. Our new album The Isness is a
five-year project and marks a new beginning, a vision of two
people who have gone quite far out in our personal [and musical]
experiments. Personally, I have gone into a journey of fasting,
meditating, doing yoga, practicing ancient healing methods. The
nature of the album reflects this as well.
My conversation with Gary Cobain touched upon many areas, music,
personal growth, spirituality, technology, music from other
cultures and several other thought- provoking topics. As I
finished this interview, the first thing I wanted to do was to
listen to The Isness again and recreate Cobains thoughts
and the refreshing essence of FSOLs new title. The concept
behind this new production all seems intriguing and unrestrained,
essentially the sounds of the ever-changing FSOL.